Traditionally, New Orleans brass bands could feature various instrumentations, often including trumpets, trombones, clarinets, saxophones, sousaphones, and percussion. We aspire to make "Band of Praise" worthy of that list, offering an authentic brass band to embrace this tradition. In 1996 sousaphone player Bennie Pete was instrumental in merging two former Fortier High School student groups, the High Steppers and the Looney Tunes Brass Bands, to form the Hot 8. Long-term displacement across the country helped members of the band realize just how unique and special New Orleans culture is, which in turn inspired their desire to learn more about the history, sound, and style of earlier brass bands. These young men are celebrated as cultural icons for upholding the proud traditions of the jazz funeral and the second line parade, yet they remain subject to the perils of poverty, racial marginalization, and urban violence that characterize life for many black Americans. Company Message. We offer lessons and clinic services for schools or other organizations that might want to learn about making Music, being in a Brass Band, New Orleans History, or you just want to be in the Band and perform with us! It doesn’t take much of an excuse for New Orleanians to have a parade, and the backbone of any “second-line” parade you’ll encounter in the city is the brass band. Today, on Fat Tuesday, some three-hundred years since New Orleans’ first brass funeral, second liners have their choice. FREE Weekly Roundup! Many of the ethnic groups which form the cultural heritage of New Orleans had the tradition of playing music during funeral processions of loved ones. By the 1930s and 1940s, the New Orleans brass band style had become a “traditional” aspect of jazz that did not change or evolve as fast as the bands playing in clubs or making recordings. By the twentieth century, brass bands such as Excelsior and Onward had become an integral part of a black community made up of Creoles, urban blacks, and freed slaves who were now classified together under the segregationist laws of Jim Crow. Photo Hogan Jazz Archives. ... Mourners are joined by a brass band that plays music that starts off heavy and sad but soon turns celebratory. The Olympia Brass Band is a New Orleans jazz brass band . I knew him. Street corner meets nightclub and studio, and the tradition continues. Four other Fairview members, Gregory Davis, Charles Joseph, Kirk Joseph, and Kevin Harris, became the foundation of the Dirty Dozen Brass Band, one of the “revival” bands of the 1980s. He is owner of Yatmedia LLC (Social Media for Social Justice), and is @Yatpundit on Twitter. A cornetist, trumpeter, and band leader, he was one of the great early New Orleans jazz musicians and the first great jazz solo improviser, known for spontaneous, swinging melodies. In the 1880s New Orleans brass bands, such as the Excelsior and Onward, typically consisted of formally trained musicians … Deep Roots: The History of the New Orleans Second Line. "All sorts of espionage was employed when a sick brother was at death’s door," Barker writes. History of New Orleans brass bands, dating back to the music and dance of Congo Square to established groups like Rebirth Brass Band and Kermit Ruffins who play in popular venues and second lines. American military units began to form bands like their European counterparts. Researchers and historians are still learning about jazz history; there are many and various opinions about what is important in the history of jazz. In 1958, saxophonist Harold Dejan, leader of the 2nd unit of the Eureka Brass Band, split off to form the current Olympia, reviving the historic name. Brass Roots is an unprecedented look into the history, culture and people that make up contemporary brass band music in New Orleans. 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